The shortened name lasted less than two years. Each of the covers features a slightly different photo by William Bankhead of the same text. The album graphic design copies a package of panty hose purchased in Memphis, Tennessee. Gordon's successor at the library was John Lomax. Jon Spencer has been wrangling his brand of the blues — extrovert, down-and-dirty, pinched by punk and acknowledging a debt to Little Richard and Carl Perkins as much as Hasil Adkins and Son House — for around 14 years now. A situation soon to be exacerbated by the band's forthcoming promo live album, rather incautiously titled 'Controversial Negro' and garishly illustrated with a day-glo Warhol print of Mick Jagger's iconic countenance. Yet their studious reserve in the face of journalistic interrogation is hardly surprising when you consider that the staunch traditionalists of the American rock media have recently branded them as racists, simply because they've dared to treat the blues as something other than a sacred museum piece. Call-and-response shouts were an early form of blues-like music; they were a "functional expression Spencer played and recorded with Gibson Bros. Ultimately, Jon Spencer is playing with fire. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. However, when rural black music began to be recorded in the s, both categories of musicians used similar techniques:
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